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[personal profile] igenlode
A black Raoul in the West End Live concert... and he's charming! (And ethnically extremely mixed, I'd guess.)

https://youtu.be/i8O2MRsjz7s?si=NzYqI_uPO9Oxf72-
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
One weird thing about the characterisation of LND-Raoul -- he *knows* he is behaving badly, he despises himself for doing it, and yet it is *because* he despises himself that he does it; he is trapped in a very recognisably human vicious circle -- is that it is actually an echo of the original Raoul from Leroux's novel, who is a very different character, but shares this trait of finding himself behaving hurtfully towards Christine (usually out of his own wounded feelings), being painfully conscious of this and regretting it even as he is doing it, and yet being seemingly unable to stop.

This is almost certainly a complete coincidence, but maybe it's one reason why I didn't find the character entirely unrelatable...
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[personal profile] igenlode
I think I've finally worked out the rationale behind the final-act change to Raoul's dialogue in "Love Never Dies", where his insistence that he has bought tickets on the Atlantic Queen, which sails in an hour's time, is changed to which "leaves tonight" (thus removing any argument for Christine to leave with him *before* the performance in order to catch their boat -- there is now no logical reason why she shouldn't be able to have her cake and eat it, by singing for the Phantom and still departing with Raoul afterwards!)

It's because Lloyd Webber now wanted to bring Raoul back for the final scene -- I'm guessing that the assumption was that previously when Raoul leaves in a hurry during the performance he is taking a carriage directly to the docks in order to catch the "Atlantic Queen", and thus would already be on board at the time of Christine's death ;-p So presumably the departure was delayed in order to have Raoul still on hand.

(I don't actually see this as a problem, myself, having already written a story in which Raoul and Gustave leave, have an altercation with the Phantom en route, and *still* catch their boat, albeit by a pier-head jump!)
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
It has just occurred to me that I don't *think* there is actually anything in musical canon to say that Andrew Lloyd Webber's Christine doesn't have a living mother -- just as musical-Raoul can perfectly well have both parents still alive (and in fact movie-Raoul apparently does!) ;-)

It's implied that Christine doesn't have a mother by the fact that only her father is ever mentioned in their childhood reminiscences, and of course it was almost certainly intended that her mother died when she was young because that section is clearly based on Leroux. But I'm not sure that there is any ALW dialogue that would contradict the possibility that Christine in the musical has a dead father to whom she is devoted, but a surviving mother out there somewhere.

(I think the fact that her mother doesn't turn up in the managers' office à la Carlotta and make a fuss when she first goes missing overnight does tend to prove that she isn't *living* with either parent at this point; likewise the fact that she goes to her father's grave when she is in trouble rather than seeking advice from her mother. Unless her mother is as eccentric as Madame Valerius, I think she probably doesn't know what is going on, which implies that she is either shut away in some institution -- an asylum, sanitorium, convent or even a jail -- or else is living overseas or otherwise estranged from her daughter. So from a practical fic-writing perspective it probably isn't all that useful as a plot suggestion...)
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
https://www.youtube.com/watch?v=3vRHgxviZJk

Apparently this was an Internet sensation nine or ten years ago; it's a little bit 'dog walking on its hind legs' for me (the impressive thing is not how well he can sing Christine/Phantom, but that he can sing both roles at all, even if neither is really comfortable), but half the entertainment lies in watching the 'greyed-out' characters reacting to the performance of the currently-featured singer. He does a doe-eyed Christine and a supremely arrogant Phantom (I get the feeling Nick Pitera is not an E/C shipper!)

Raoul spends most of the performance looking worried (and occasionally exchanging a confused glance with Christine), but in fact Nick's voice probably suits this role best -- he's a little lacking in the low notes, but that's less important than when playing the Phantom, while the singer can let his natural light voice ring without needing to go into falsetto.

Perhaps it's unsurprising that he also makes a pretty good Marius in his "One-Man Les Mis" compilation...
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
It's just dawned on me that Raoul in the musical is definitely the son of a Vicomte rather than of a Comte -- when we see him in old age at the auction, the auctioneer calls out the name of the Vicomte de Chagny, and whether or not he has inherited his father's title at the time of the main action, he will certainly have inherited it by this point.

(Unless, of course, he does have an off-stage elder brother who in this version is not killed by Erik and peacefully continues the line of Comtes :-p)
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
Partial-dress performance (the performers get a gesture at costume; Raoul's coat and Christine's cape).



Bastien is the most delightful Raoul; Read more... )
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
The Phantom of the Opera: A Case Study of Severe Major Depressive Disorder with Psychotic Features - no, not the Phantom, but Christine! In this medical study, the Phantom is presented as a hallucinatory response to the stress of Christine's bereavement and her feelings for Raoul, which 'ground her' and combat her suicidal ideation -- "The candle flame which earlier represented her father's hold on Christine now becomes a means of breaking that pathological bond. Her ability to make her father's soul take flight allows Christine to give herself to Raoul" ;-D
erimia: (Default)
[personal profile] erimia
Found on ancientphantom's tumblr. Both pictures are zine covers, both are from the 1990s and both are quite unusual portrayals of Raoul.

Raoul and Christine on the cover art for the issue 1 of POTO: The Phantom of the Opera Magazine, artist Sharon Young

This is the cover for the issue 1 of POTO: The Phantom of the Opera Magazine, by the artist Sharon Young. Probably the first time I've seen a Raoul with a beard. He also looks a great deal older than Raouls usually are, and so does this Christine. Not sure if those are portraits of actors from the musical or not.

Raoul and Christine on the back cover art of The Chandelier #7, artist Sybille Schenk

The back cover art by Sybille Schenk for the issue 7 of The Chandelier, the zine that was published mostly in German. Again, I don't know if those are meant to be actors from the musical but it's quite possible. It may be an early example of a long-haired Raoul, a trope that I thought had appeared only after the 2004 movie, but apparently not.
betweensunandmoon: (Default)
[personal profile] betweensunandmoon
www.broadwaybox.com/daily-scoop/six-ways-prove-raoul-iphantom-operai-ultimate-boyfriend/

What’s sexier than a brave man willing to dive headfirst into danger for the one he loves?

Nothing, my good article-writer, nothing. :D
betweensunandmoon: (Default)
[personal profile] betweensunandmoon
I decide to stop in and see what's new on fanfiction.net, and what do I find? An essay on why the Erik/Christine ship doesn't work!

It makes some very nice points, though I wish the essayist had added something about how Raoul genuinely loves Christine while Erik just wants to possess her.

Discuss!
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
One of the standard things Raoul gets bashed for, when people are trying to justify why they resent his existence, is that he is apparently disrespectful/condescending for not taking 'No' for an answer when he invites Christine out to supper after their reunion -- she says she doesn't want to go, and he doesn't listen but rushes off to get his outdoor clothes while leaving her to get into hers. (As an aside, it occurs to me here for the first time that "I must get my hat" effectively acts as a tactful way of removing himself from the room so that Christine can get changed in privacy!)

While I think that (contrary to the scenario I chose to explore for the purposes of There is No Phantom of the Opera) Raoul does come to the dressing-room powerfully attracted to Christine rather than as a platonic reunion of old friends, I don't think the invitation to dinner is intended as a message of seduction; I'd read his motives as being genuinely those represented in that story, a desire to take her out to celebrate and for the chance to catch up on old news. After all, the management aren't exactly laying on a party for her, and she richly deserves one -- at least in his eyes!Read more... )
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
[personal profile] igenlode
It's just occurred to me that Raoul's response to finding Christine in her dressing-room wearing little more than a dressing-gown over her underwear is "you need to get changed if we're going out"; the Phantom's response in the same situation is "come to me" :-p
I feel that this tells us something about the amount of respect they have for her... although the fandom would probably say that it shows who is the 'real' man!
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[personal profile] igenlode
I came across a generic boxed set of 'Great Musicals' today: one disc each on "Oliver!", "Oklahoma" etc. The recording of "Phantom" happened to be an obscure one that had featured John Barrowman in his pre-Doctor-Who days: on this re-issue it was the only set of credits where I've ever seen Raoul billed at the top in larger letters than all the other characters :D
betweensunandmoon: (Default)
[personal profile] betweensunandmoon
I hate Raoul-bashing. That's why I created this community in the first place. I look at all the Raoul-hating E/C shippers out there and sigh sadly.

But the thing is...I can't blame most of them.

Read more... )

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